Keyon Harrold Quintet
Jazz trumpeter Keyon Harrold's music draws on elements of jazz, classical, rock, blues and hip-hop to create something uniquely modern.
Harrold grew up one of 16 children in a family that prioritized music and community across generations. His grandfather was a police officer who retired from the force to found a drum and bugle corps for local youth, both of his parents were pastors, and nearly all of his siblings sing and perform music today. Culture shock hit Harrold hard at 18, when he left Ferguson for New York City to enroll in The New School. In New York, he landed his first major gig with Common, an experience which he says broadened his musical horizons beyond jazz to include funk, Afrobeat, R&B, and hip hop. Soon he was performing with stars like Snoop Dogg, Jay Z, Beyonce, Rihanna, Eminem, Maxwell, and Anthony Hamilton.
In 2009, he released his solo debut, Introducing Keyon Harrold and then won wide acclaim for his trumpet performances in Don Cheadle’s Miles Davis biopic Miles Ahead. The Mugician is a portmanteau of “musician” and “magician, a nod to a nickname Cheadle bestowed upon the young virtuoso, and it’s an apt descriptor for a record that pushes beyond the traditional boundaries of jazz trumpet. In fact, the album doesn’t even begin with trumpet, but rather with a track called ‘Voicemail,’ which features an inspirational message from Harrold’s mother set to a stirring, orchestral soundscape. Entirely unedited, her words lay the groundwork for an album that celebrates the importance of family (ten of Keyon’s siblings appear on the record) and the absolute necessity of optimism in the face of darkness and doubt. These days, Harrold is a parent himself, and he pays tribute to his son with a pair of tracks on the album, “Lullaby” and “Bubba Rides Again.” Issues of identity and equality percolate throughout the record, sometimes subtly beneath the surface, sometimes more pointedly, as in “Circus Show.” However, the album’s most powerful moments come with the one-two punch of “MB Lament” and “When Will It Stop,” songs written in the wake of Michael Brown’s death and the senseless killings of so many others like him.
It’s a monumental task, one that calls for tremendous empathy and sensitivity. To give voice to the silenced requires more than just talent and ambition, it requires faith, imagination, strength, and determination. Above all, it requires perspective. Fortunately, that is what Keyon Harrold brings most of all.Back to Events